One Punk Goes to the Movies: Unpacking Masaki Kobayashi’s The Human Conditionby James RosarioOctober 22, 2019February 15, 20225 STARS, FILM REVIEW, FRIDAY NIGHT AT THE VIDEO STORE, MOVIES, ONE PUNK GOES TO THE MOVIES
Film Review: Grave of the Fireflies (1988)by James RosarioAugust 28, 2019February 4, 20225 STARS, FILM REVIEW, FRIDAY NIGHT AT THE VIDEO STORE, MOVIES
Film Review: Sunset Boulevard (1950)by James RosarioJuly 12, 2019September 17, 20205 STARS, FILM REVIEW, FRIDAY NIGHT AT THE VIDEO STORE, MOVIES
Film Review: City of God (2002)by James RosarioJune 30, 2019February 4, 20225 STARS, FILM REVIEW, MOVIES
Film Review: The Lost Weekend (1945)by James RosarioJune 11, 2019September 17, 20205 STARS, FILM REVIEW, FRIDAY NIGHT AT THE VIDEO STORE, MOVIES
Film Review: Singin’ in the Rain (1952)by James RosarioMay 29, 2019September 17, 20205 STARS, FILM REVIEW, FRIDAY NIGHT AT THE VIDEO STORE, MOVIES, MUSIC
One Punk Goes to the Movies: How “12 Angry Men” Got It Right, and Society Still Gets It Wrongby James RosarioApril 23, 2019February 15, 20225 STARS, FILM REVIEW, FRIDAY NIGHT AT THE VIDEO STORE, MOVIES, ONE PUNK GOES TO THE MOVIES
Film Review: Close-Up (1990)by James RosarioApril 4, 2019February 4, 20225 STARS, CRITERION, FILM REVIEW, FRIDAY NIGHT AT THE VIDEO STORE, HOME VIDEO, MOVIES
Film Review: Cold War (2018)by James RosarioDecember 18, 2018February 4, 20225 STARS, FILM REVIEW, MOVIES
Film Review: Roma (2018)by James RosarioDecember 6, 2018September 9, 20205 STARS, FILM REVIEW, MOVIES
Film Review: First Reformed (2018)by James RosarioNovember 28, 2018September 9, 20205 STARS, FILM REVIEW, MOVIES
Film Review: Dr. Strangelove (1964)by James RosarioOctober 26, 2018January 7, 20225 STARS, FILM REVIEW, FRIDAY NIGHT AT THE VIDEO STORE, MOVIES
