The Mission: To watch, review, and rank every episode of Star Trek: The Next Generation, Deep Space Nine, and Voyager.
The Protocol: 1. Watch every episode in the order they aired 2. Review and rank each episode within each of the 21 seasons 3. Rank the episodes within each series 4. Rank all 526 episodes
The Purpose: To gain Q-like knowledge of a television franchise that has had a monumental impact on my life. This is my tribute to Star Trek and what it has done for me.
It’s in Season Three that TNG finally found the footing it needed. Most of these 26 episodes are good, with many of them being downright exemplary – including one of the best storylines ever put to television. With Gates McFadden back as Beverly Crusher, the crew is locked. This will be the group that carries us forward through Season Seven and beyond. It is one of the finest ensembles casts ever put together and with the tone and pacing of the show settling in, Season Three truly shines. Plus, new uniforms!
Here is Star Trek: The Next Generation Season Three ranked. Engage.
- S3 E8 “The Price”
Originally aired November 13, 1989
A boring episode made worse by the assumption that Deanna would ever fall in love with Lloyd Braun.
The Lloyd Braun crack is a Seinfeld reference, in case you were wondering. Another missed opportunity for Deanna to be a real character instead of the lovelorn exposition machine they make her out to be. This time around she falls in love with a smug negotiator with a secret, who likes to woo women with his sexy space talk. Meanwhile, Bev and Deana find time for some double’s yoga (or something) while wearing the height of 24th Century workout fashion. Jane Fonda eat your heart out!
- S3 E3 “The Survivors”
Originally aired October 9, 1989
This should be better than it is. I don’t mind that it’s depressing, but I am tired of omnipotent beings that aren’t Q.
There could have been a lot of room in this episode to explore any number of subjects, but it ends with the old “Oh it’s just an omnipotent being” copout. Not to mention, Deanna gets so emotionally violated that she needs to be placed in a medically induced coma. There’s so much more potential to her character than a receptacle for alien emotion and exposition. Let’s not do that to her anymore, okay?
- S3 E24 “Ménage à Troi”
Originally aired May 28, 1990
The only good thing about this episode is Picard’s speech at the end. Just watch him go for it!
I’ve always had a soft spot for Lwaxana Troi. Don’t ask me why – I just do. In this mostly boring episode, the Troi women (and for some reason, Riker) are kidnapped by lovestruck Ferengi. It feels like an episode of TOS and, once again, addresses Deanna’s love life. However, Picard’s Shakespearean ode to love at the episode’s conclusion makes “Ménage à Troi” 100% worth watching.
- S3 E16 “The Offspring”
Originally aired March 12, 1990
Data’s “child” is straight-up disturbing.
The constant little miss robot voice of Data’s “offspring,” Lal, is enough to sink this episode all by itself. What’s more, it’s a rehash of the themes covered in Season Two’s “The Measure of a Man” but with none of the punch or urgency of that episode. Growing up, Data was always my favorite character, but I see now that his stories almost always follow the same formula: Data misunderstands human behavior, acts according to his “conscience” anyway, gets in trouble, everyone learns something about humanity. Quite frankly, it gets boring.
- S3 E22 “The Most Toys”
Originally aired May 7, 1990
TOS-style plotting that’s only made interesting when Data’s phaser “malfunctions.”
Data’s defiance is interesting to watch, but it’s his decision to kill his captor and then lie about it that sets this one apart. “The Most Toys” still isn’t a great episode – if you told me the plot without using names, I could easily be convinced it was an episode of TOS – but it has its moments.
- S3 E11 “The Hunted”
Originally aired January 8, 1990
Picard and company attempt to help a super-soldier suffering from PTSD – only it was the early-’90s so no one knew what that was yet.
“The Hunted” is one of those episodes that could have had some real bite if it were made today. The issues addressed have always been around of course, but with advancements in diagnosis and treatment options, and increased exposure of veteran’s issues in today’s news cycle, “The Hunted” would potentially have had more punch if it had been released in recent years. It’s still a good episode, but I wish it had reached more ears when it was new. Also featuring the wonderful James Cromwell, which is always a bonus.
- S3 E5 “The Bonding”
Originally aired October 23, 1989
A surprisingly emotional episode dealing with the consequences of family life aboard a starship.
While the overall quality of “The Bonding” keep it from being truly great, what does work creates a damned solid episode. It’s full of the kind of heart and earned emotion that’s hard to pull off in a TV show about a bunch of space explorers, all while dealing with issues that are easily relatable beyond the confines of the show’s premise.
- S3 E6 “Booby Trap”
Originally aired October 30, 1989
A good episode that’s derailed by Geordi being a weird male.
“Booby Trap” has a great premise – Geordi conjures up a holodeck representation of Leah Brahms, one of the ship’s original designers, to help him fix a system failure – but in a disappointing twist, he becomes a bit needy and entitled. Upon the original airing, I’m sure this was seen sympathetically as poor “everyman” Geordi striking out with the ladies, but through a modern lens, he comes off as a potential stalker. We all know Geordi is a stand-up fellow, but this episode (and later ones featuring Leah Brahms) don’t show him in his best light. Oh, the unenlightened ’90s.
- S3 E25 “Transfigurations”
Originally aired June 4, 1990
A mostly fine episode with a fun mystery and a chance for Bev to take center stage. It’s filler, but at least it’s decent filler.
This is one of those episodes that are almost instantly forgotten. I know I’ve seen it several times but had almost no recollection of it until the mystery was revealed at the end. This isn’t the worst thing in the world, but it doesn’t exactly inspire either. I do like that Bev gets a chance to shine and the implications of what “John Doe” represents for the future of human evolution, but after that, there isn’t a lot to grab onto. It’s still better than almost any episode from Season One, though. And take special care to check out homeboy’s fashion choices. Yeesh!
- S3 E9 “The Vengeance Factor”
Originally aired on November 20, 1989 (my twelfth birthday)
An interesting story featuring a centuries-long blood feud and Riker controlling himself for once.
I’m glad to see that in Season Three, the writers of TNG have finally realized that no one wants Riker to be a rehash of Kirk. His perviness is finally toned down (for now), as evidenced by his backing from a young woman who is trying to get into his uniform. In addition, Riker shows a refreshing amount of emotion (the non-aggressive or horny kind) after taking a drastic action that helps end an ancient feud between a race of bourgeoisie snobs and their pro-wrestler-looking adversaries.
- S3 E20 “Tin Man”
Originally aired April 23, 1990
What’s this? A troubled genius from Deanna’s past who she doesn’t fall passionately in love with. There’s a first time for everything.
“Tin Man” isn’t a great episode but it’s so refreshing to see Deanna get a chance to be a real person and not a receptacle for expository emotions or a plot device for a handsome, yet devious man. The premise is interesting, but a lot is left open for further study. I wish the mental illness angle had been explored with more depth instead of the tired excuse for Data to find “purpose” it’s used for. Overall, though, “Tin Man” offers enough to keep one interested while remaining sufficiently harmless.
- S3 E12 “The High Ground”
Originally aired January 29, 1990
Another “if only it were released today” episode featuring weighty themes that were ahead of their time and are at direct odds with post-911 America.
Like “The Hunted,” “The High Ground” would likely be received much differently if it had been released today. When looked at through contemporary eyes, the themes presented could easily be an indictment of the Patriot Act and the U.S.’s continued war on terror. Just take this exchange between Data and Picard as an example of how attitudes have changed over the years:
DATA: Then would it be accurate to say that terrorism is acceptable when all options for peaceful settlement have been foreclosed?
PICARD: Data, these are questions that mankind has been struggling with throughout history. Your confusion is only human.
There is no way in hell a modern television protagonist would rationalize terrorism with that kind of thoughtful approach. No way.
- S3 E21 “Hollow Pursuits”
Originally aired April 30, 1990
The first appearance of a personal favorite side character is also a brutal exercise in embarrassing behavior. Knock ‘em dead, Reg.
Full disclosure: I’m a total mark for the Reginald Barclay character. His inclusion is extremely purposeful, as he’s much more than just “the weird one,” or some other moniker. You see, on the Enterprise, everyone is the best at what they do. But, what if you’re not the best? What if you have hang-ups, are awkward around others, or lack confidence? Well, that’s Barclay, and while his introduction is less than flattering, we get to see him grow and eventually become a valuable member of the team. Now, if I was caught doing what Barclay was up to in the holodeck, I’d likely throw myself out of the nearest cargo bay door, but the crew takes it in stride (evidence that they’re all up to some naughtiness in there). Everyone has secrets, I guess.
- S3 E14 “A Matter of Perspective”
Originally aired February 12, 1990
The “Rashomon” episode. If you get that reference, good for you. If not, let me explain.
Rashomon is a 1950 Japanese film directed by the acclaimed master, Akira Kurosawa. After a murder takes place, the story is told several times by both witnesses and those directly involved. All accounts vary slightly to make each teller seem virtuous, innocent, or brave. That’s it in a nutshell. Riker is accused of murder and must defend himself against the charges. The holodeck is used in the place of flashbacks, but the premise is almost the same as the classic film. “A Matter of Perspective” is fun and compelling (if a bit cheesy, but it’s a Riker episode so that’s no surprise), and it pays homage to an inventive and influential piece of international cinema. Not bad.
- S3 E1 “Evolution”
Originally aired September 25, 1989
The Season Three premiere marks the return of Bev and her wonderful hair. Also, those little scamps, the Nanites.
We begin a new season with Wesley inadvertently creating new life. Whoops! “Evolution” isn’t much more than a reintroduction of the crew and a welcome back for dear Beverly, but it does manage some fun bits too. In truth, I didn’t have very fond memories of this episode, but watching it directly after the Season Two finale made me realize how much I like the crew as it is (no offense Dr. Pulaski).
- S3 E2 “The Ensigns of Command”
Originally aired October 2, 1989
Data’s first solo away mission ends with a no-nonsense approach to the cold, hard facts of bureaucracy.
I always look forward to when “The Ensigns of Command” comes on in the rotation. Growing up I was always a big Data fan, so seeing him deal with a stubborn colony all on his own has a certain appeal. As you may have noticed in my episode write-ups, I’ve changed course on my Data love, but this episode still holds up. He gets necessarily cruel in his attempt to convince a colony that they need to leave their homes. As a bonus, the reasons for the unwilling departure remind me of the opening scenes of “The Hitchhiker’s Guide to the Galaxy.” I wonder if I’m the only fan to notice that similarity? I hope not.
- S3 E18 “Allegiance”
Originally aired March 26, 1990
An imposter Picard seduces Bev and delights Ten Forward while the real captain is subjected to a cruel experiment.
Any time you have Captain Picard – imposter or not – leading a hearty drinking song in Ten Forward you know you’ve got something special on your hands. The fake Picard also gets Bev all riled up and then stone-cold disses her – all with a shit-eating grin on his face. It’s nuts in just the right ways. The real captain is trapped with some others in a strange puzzle room that shoots death rays at anyone who tries to escape. Watch the culprits freak out when they get the same treatment. Good stuff.
- S3 E13 “Déjà Q”
Originally aired February 5, 1990
Q is kicked out of the continuum but still manages to torment the crew of the Enterprise.
Somehow, Q is even more insufferable without his omnipotent powers than he is with them. That’s not meant as a knock on Q – I love the little bastard – it’s simply an observation. Poor Q’s attempts at assimilating to life aboard a Starship are funny and aggravating, which is right where they should be. When Corbin Bernsen’s disembodied head shows up to set things right, Q can’t help himself from jumping right back into his evil ways. Has our favorite tormenter learned anything? The presence of a mariachi band would suggest that no, he hasn’t. Also, Guinan – bad-ass that she is – doesn’t hesitate to stab him with a fork.
- S3 E4 “Who Watches the Watchers”
Originally aired October 16, 1989
A fun critique of organized religion as Picard becomes worshipped as a God.
Religious discussions aside, “Who Watches the Watchers” offers a first-hand look at how Starfleet studies pre-warp cultures. The Mintakans are a proto-Vulcan (another band name that I’m claiming) race who’ve entered the Bronze Age of their evolution. When a holographically disguised Starfleet research station is discovered, the developing culture grasps at ways to understand the strange sights. Eventually, “The Picard” becomes a God-like figure whose ire can bring thunderstorms and whatnot. There’s a lot to take in, least of which is Laura Palmer’s father (pre-Twin Peaks) and a young Pamela Adlon.
- S3 E19 “Captain’s Holiday”
Originally Aired April 2, 1990
The introduction of Picard’s biggest crush, Vash. Basically, it’s The Maltese Falcon but set on the brothel planet of Risa.
Horndog Riker somehow convinces Picard to take shore leave on Risa, which is known as the “Pleasure Planet” (gag). Once there, our favorite Captain wastes no time grumping around in the most revealing robe this side of the Delta Quadrant. An archaeological mystery unfolds as Picard becomes entangled with Vash, a mysterious woman pursued by a Ferengi treasure hunter. A MacGuffin known as the Tox Uthat is discovered to be hidden somewhere on the planet, with several rival parties vying for its possession. With a pure adventurous spirit, this romp through Hitchcock-esque tropes is further proof of TNG‘s unique and varied style.
- S3 E7 “The Enemy”
Originally aired November 6, 1989
Geordi is trapped on a hostile planet with a Romulan officer while Worf’s racism allows a captured Romulan to die. Weighty stuff.
There is more than one element at work within “The Enemy” that mirror and play off each other for full dramatic effect. First, when Geordi becomes stranded on an inhospitable planet, his only option is to get over his natural prejudices and work together with a Romulan to survive. Meanwhile, on board the Enterprise, Worf is in a position to save a Romulan’s life but refuses to do so based on his racism. The connectivity of these two stories is centered on deeply held beliefs that are overcome or reinforced in different ways. “The Enemy” is a great example of the brilliance of TNG.
- S3 E23 “Sarek”
Originally aired May 4, 1990
A wonderful and heartfelt episode that delivers on the emotion it attempts to convey.
Sarek (Spock’s father for the uninitiated) suffers what is best described as Alzheimer’s for Vulcans. The effects of this condition, called Bendii Syndrome, are that the sufferer can no longer control their emotions. For a Vulcan, this loss of dignity is too much to bear. Sarek’s simple displays of emotion (such as a single tear at an orchestral recital) carry an amazing amount of weight for those familiar with Vulcans and their logic. As he deteriorates, a vital mission is put in jeopardy and Picard offers an unlikely solution. What follows is an examination of the conflict and turmoil that exists within the Vulcan mind. “Sarek” earns its emotion through great acting and storytelling, and will always remain a personal favorite.
- S3 E10 “The Defector”
Originally aired January 1, 1990
Shakespearean storytelling drives this amazing episode about a Romulan fed up with war.
I’m a sucker for this type of episode. “The Defector” is 100% story-driven, with each element building up and playing off each other. There is no wasted space here as the Romulan defector both defends his previous actions against the Federation (“One world’s butcher is another world’s hero”) and pines for a future in which his granddaughter can live without fear of catastrophic war. The conspiracy deepens and the plot thickens, culminating in an ending that offers up hope in the face of looming animosity.
- S3 E17 “Sins of the Father”
Originally aired March 19, 1990
We finally get our first look at the Klingon homeworld and their customs in an episode that sets up some very important future storylines.
If you’ve been paying attention, you’d know that I find Worf to be the most dynamic character TNG has to offer. In “Sins of the Father,” Worf’s saga deepens as we return with him to Kronos to defend allegations that his father was a traitor. We meet his brother, Kurn, as well as the conniving Duras family, who will be featured heavily in future episodes. “Sins of the Father” is the introduction to some heavy storylines that help shape the future of the Federation and the Klingon Empire. Any opportunity to get to know our favorite warrior poet a little better is a good thing and “Sins of the Father” delivers in spades.
- S3 E15 “Yesterday’s Enterprise”
Originally aired February 19, 1990
In what is certainly one of TNG’s most existential episodes, a surprise visit from a long-lost crew could help stop a war.
An alternate timeline is enacted when the Enterprise-C appears through a temporal rift. Only Guinan senses something is off about the now decades-long war the Federation has been waging with the Klingon Empire. “Yesterday’s Enterprise” is an examination into existentialist thinking that is uncommon for TNG or any other Star Trek title. This is precisely why it’s such an endearing episode. The crew of the Enterprise-D takes a long hard look at itself and the futility of their never-ending conflict, while those aboard the Enterprise-C find meaning in their deaths and possible “non-existence.” We also get Tasha Yar back for an episode and, strangely, she’s given a better good-bye than the one she received back in Season One. Are they making amends for her unceremonious death? I’d like to think so.
- S3 E26 “The Best of Both Worlds (Part One)”
Originally aired June 18, 1990
The importance of this episode in Star Trek canon cannot be overstated. Simply phenomenal storytelling.
When Picard walks onto the viewscreen and announces that he is now Locutus of Borg, there is no way I’m not getting goosebumps every single time. In the season finale, the Borg threat looms as Riker is offered his own command and his prospective replacement oversteps her position. Of course, the Season Four premiere is where most of the action takes place, not to mention the defining events of the franchise moving forward, but the build-up to this is expertly crafted. Watch as the crew makes plans for the inevitable engagement of the Borg, knowing full well that they are likely doomed. The pacing is perfect as the set-up offers no clues as to what the climax reveals. There’s plenty of tension as Riker and Lt. Commander Shelby butt heads, sure, but I don’t think anyone could have guessed where the episode winds up.
Personal Log: I still have my Locutus of Borg action figure my mom got me for Christmas nearly 30 years ago. The events of this story, in my opinion, are the best the franchise has to offer, and some of the best to have ever aired on television. I feel a strange kinship with Locutus that I can’t rationalize or put my finger on. Perhaps it’s simply my gravitation towards tragic, flawed characters, but I think it goes deeper than that.
The Captain is alive inside Locutus – tortured and traumatized by what’s being carried out in his name. Picard is never the same after his experience with the Borg and his trauma is carried with him throughout the run of the show and into the subsequent movies. It’s easy to sympathize with him, but my sympathy for Locutus is harder to pin down. He’s tragic, for sure, but does he deserve my sympathy? Perhaps it’s simply that, through Locutus, the Borg has a “human” face which in turn points out the tragedy of the entire “species.” They are a slave race with no free will, and maybe Locutus serves as a point of contrast to help us understand that.
Of course, there are deeper interpretations of the Borg such as their existing as a comment on communism or collectivism, but if we’re really getting into it, I prefer them to be science fiction embodiments to the Laws of Jante common in Scandinavian cultures like the one that brought me up in Minnesota. And if this is true, then the Borg serve as the central “community” while the rest of the galaxy exists as those who would dare think they’re better than the group. I could be grasping here, but I’ll return to this theory as the series progresses.
James is a writer, skateboarder, record collector, wrestling nerd, and tabletop gamer living with his family in Asheville, North Carolina. He is a member of the Southeastern Film Critics Association, the North Carolina Film Critics Association, and contributes to The Daily Orca, Razorcake Magazine, Mountain Xpress, and Asheville Movies.